I hope I didn't really rock the boat too much with my comments in your other blog earlier.
I prefer some variation between models, but I always try to keep a theme apparent (not something like "each model has a gold bracelet"). I start off by selecting 3 PREDOMINANT colors to run throughout the army and then make variations to each unit and smaller variations between each model. I do it that way because that will be the viewing perception of each individual who stops to look at my army. They will glance over and take in the overall picture (main color scheme), then as they move closer and pay more attention to the details, those minor variations will become more apparent.
Take pointillism for example. You begin by seeing an overall picture (as with "Sunday Afternoon on the Island of La Grande Jatte") and as you move closer, you start to see the parts that make the whole. It's a beautiful cohesion, but it takes a very strict order to keep it from becoming meaningless chaos.
Now, I also have 8 very large armies and I don't want any two looking the same. That also plays a huge role in my painting decisions. It makes it much easier for me (and my friends) to be able to tell them apart. (I hate having to answer apparent questions like, "No, that's a Dwarf and that's an Elf".)
I also pay as much attention to the army's fluff as possible. I see the Lizardmen army as being one of those "middle-ground" armies that could go either way. They can look completely different or be uniform. I preferred to make mine different from unit to unit, but largely the same within the unit. I also like to make my leaders readily apparent.
Which one is the unit leader here?
This is just what I prefer. I'm really glad that people have different painting styles and methods. It keeps things fresh and gives new avenues of thought that might not have occurred otherwise.
Thanks for making this thread, Tom!
