2nd time, but the first was a half-assed effort. It's a pretty intimidating technique, but this guy is ideal for it. There are a range of different surface sizes, from his staff and headress with loads of big open areas to the beads and gimmicks he's wearing, which I found a lot easier to do. By doing the smaller surfaces first I was able to get a better idea of how to tackle the bigger bits: the end result is that the staff is the best bit of NMM overall. I've got another few figures I'm going to try it on, but I am somewhat frustrated with my lack of progress on real metallic colour.