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spawning of Bob
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As threatened, I am going to collate options and examples of means of communication between Lizardmen and Lesser Races. The intent is for this to be indexed into the Lustriapedia, the L-O writer's resource.
The Problem: Lizardmen / Seraphon come from culturally and geographically different origins to the other races, and if we don't mind getting technical, would have very different vocal apparatus to mammal based creatures. How can they communicate?
Analysis includes possible "logical" mechanisms, and pros and cons from a writing perspective. Cons may include the effort of explaining it and/or the amount of suspension of disbelief it will cost you if you don't.
Solution A: If you communicate using your spear alone, your average Warmblood will get the point. (Don't even bother trying to use a shared language)
Mechanisms: Cultural isolation / they are just animals anyway / If he is the enemy of my enemy, I don't need to ask questions / shooting fireballs or blowdarts at range is probably this /
Writing Pros: No explanation required / can make the antagonist alien and scary /
Writing Cons: antagonist's motivations can only be guessed at /
The Coward by @Killer Angel
The Ghosts We Have by @Oldblood Itzahuan
The Monument by @Pestdrake
Solution B: Make at least a bit of effort to use sign language or such.
Mechanisms: Universality of gestures (shaking weapon to challenge, pointing, submissive posture ) / intelligent beings improvising to communicate /
Writing Pros: requires show don't tell / can emphasise common ground between very different folk / can set up plot relevant miscommunications
Writing Cons: a saurian smile being interpreted by a human as a happy look. If a dog smiles at you it is about to take a chunk of flesh / difficult with complex ideas /
Examples:
The Coward by @Killer Angel - a rat head being interpreted as equivalent to a bunch of flowers by saurians
Cold Commerce (story 2) by @spawning of Bob
Cities of Gold (story 5) by @lordkingcrow
Solution B1: Lizardman Body Language being easy to interpret and vica versa
Mechanisms: a lashing tail, fluttering crest, open hands, submissively bared neck / that human smiled at me - it's a challenge!!!!!
Writing Pros: show don't tell / uses analogues known to most human readers / can set up plot relevant miscommunication
Writing Cons: The one interpreting might be assuming unbelievably much - ASS YOU MEet the High Priest of Sotek /
Solution C: Unmediated Telepathy
Mechanisms: It's a space frog. Deal with it / Usually involves a power gradient / may involve violation of the weaker party's mind / can happen without the receiver being aware /
Writing Pros: can set it up with less effort than it took me to write this sentence / establishes power gradient / can operate over infeasible distances (like across a battlefield or continent) / maintains foreignness
Writing Cons: unrealistic because all Slann speak in a Sean Connery voice all the time (thank you, @Bowser ) / Relies on convenient magic / makes lying tricky or impossible / heck why not just read the mind instead of having a chat for the reader's benefit? / if converting to speech may include concepts that the receiver may not have words for ("he implanted an image of Tzunki in my mind!") /
Examples:
Whispers in the Wind by @Nahualpiltzintli
Fool's Gold by @Trociu
Count Renliss' Journey to Lustria by @Scalenex (Slann and vampires)
Extermination by @Bowser
Solution D: Magic device / magic spell mediated telepathy
Mechanisms: It's an amulet. Deal with it /
Writing Pros: easy set up / can operate over a distance / maintains foreignness
Writing Cons: how is it eavesdropping proof? / lying is tricky / speech conversion issue as above /
Examples:
Dead Water by @Scalenex (shadow wizards use spells)
Divided We Fall by @Scalenex Slann transatlantic communication.
Solution E: Magic device / magic spell mediated intelligible vocal sounds
Mechanisms: It's a megaphone. A magic one. Deal with it /
Writing Pros: substitutes for normal voice / maintains foreignness /
Writing Cons: actually requires limited mindreading or google translate - why not just read that mind instead? or google the answer? /
The Orphaned Temple City by @Scalenex (daemons speak all languages for reasons)
New Alliances by @Scalenex (a "speaking stone" pendant)
The Harvest by @spawning of Bob (a vocal cord stimulating collar which makes no sense whatsoever)
Solution F: Use of written word / signs / diagrams / maps
Mechanisms: point to existing text, artwork, statues or friezes / create on demand with normal writing tools / improvise on demand (mud map) / a scholar is fluent in the written language of the counterpart species / flags or banners like running up the colours on a pirate ship / semaphore
Writing Pros: can get more spatial or contextual info than gesture / use of text can convey meaning even if the writer can't physically make the sounds of the language / can set up plot relevant misinterpretation of records or artwork /
Writing Cons: may require a stereotypical nerdy scholar with coke bottle glasses and a pasty complexion / open to misinterpretation /
Examples:
Paranoia by @Otzi'mandias
Solution G: Lizard / lizards make the effort to learn to speak a heavily accented warmblood tongue.
Mechanisms: significant trading or slaving relationship / every temple has a linguistic scholar skink / character specific cross cultural experience / a space frog pressed the language into my head. But no one told him Esperanto is dead. Stupid space frog /
Writing Pros: easy or plausible to set up / allows for plot-important or comedic miscommunication /
Writing Cons: may need a nerdy scholar / if every single lizard is a speaker, you need a different explanation / may be implausible depending on how isolationist your lizards are / may require excessssive use of "S"s to portray character voice / There are lot of languages to know and sub-dialects could not all be studied /
Examples:
In the Serpent's Eye by @Hyperborean
Pirates of the Dragon Isles by @Warden
Solution H: Warmblood speaks accented Lizard Tongue
Mechanisms: significant trading or slaving relationship / every temple has a linguistic scholar skink / character specific cross cultural experience / a space frog pressed the language into my head. Saluton kiel vi fartas bastardo rano. /
Writing Pros: I would get them to learn our language and make them pay for the lessons / easy or plausible to set up /
Writing Cons: implausible if your lizards just kill everyone instantly anyway / character voices of broken speech can come across as racist (this means you Jar Jar) or ignorant or unintelligent /
Examples:
The Fall of Turochitan by @Scalenex
Divided We Fall by @Scalenex (Vampire and Banshee)
The Beginning by @Fhanados
The Blood Dish by @spawning of Bob (I hated doing this to the Amaxon "primitives" because it seems like a hack stereotype of an indigenous culture, but doing anything else would have taken too many not plot advancey words.)
Solution I: There is a legitimate shared language known by most / all races
Mechanisms: Common language roots - we are the First, after all and can claim our gods invented the languages for the use of the races they created / languages change over time, but the WHFB world has many essentially immortal inhabitants who would preserve old languages / significant global trading, diplomatic or slaving contact / paradoxically, having many different local languages (see PNG and Orcs in Tolkien) / a "new" language being superior to the "old" (Greek being the language of scholars in the Roman Middle East Circa New Testament) /
Writing Pros: Character voices can be written with outrageous French accents for Bretonnian Kniggits / easy to write / everyone can understand each other and express themselves eloquently / can retain own local language for secret discussions (khazalid) /
Writing Cons: effort to establish vs implausible to have without explanation
Examples:
The Lord of the Rings by @JRR Tolkien
The Fourth Emperor by @spawning of Bob (notice who my story is beside???)
A Memory? by @Y'ttar Scaletail
Solution J: Everyone speaks the same language/s fluently
Mechanisms: just because. Deal with it / Similar to above /
Writing Pros: super convenient /
Writing Cons: potentially implausible for everyone except @Otzimandias (pre Great Catastrophe), but everything else he does is even more implausible, so I guess he has blown it anyway. /
Examples:
Completely Anonymous Entry (story 7) by @Scalenex (but that word they use, some people do not think it means what they think it means)
Origins by @Otzi'mandias
Anything by @Kcibrihp-Esurc
Solution K: Shared language but very different cultural based idiom.
Mechanisms: Different cultural or geographical or ecological backgrounds
Writing Pros: acknowledges different culture or history / scope for misunderstanding / comedic possibilities / dramatic misinterpretation likely / allows exploration of different culture
Writing Cons: tempting to be silly or just too confusing for human writers to follow
Examples:
Dead Water by @Scalenex (His canopy is bereft of leaves = he has a screw loose)
A Game of Scales by @theghostwriter (To kick the puppy = to cut the head off the snake)
Solution L: You speak your language, I understand it and visa versa.
Mechanisms: Different vocal apparatus make different sounds
Writing Pros: acknowledges different culture or physiology / scope for misunderstanding.
Writing Cons: works fine on screen / could be clunky to write gibberish or write your own language
Examples:
It works for Huttese speakers, Wookiees and Droids in Star Wars therefore it is totally legit.
Solution M: Use a third party translator
Mechanisms: Someone must have a trading / diplomatic / slaving relationship with the other race.
Writing Pros: very easy to plausibly set up / adds the spice of the interpreter posssibly having their own agenda / allows double miscommunication potential and lying for various motives / comedic possibilities galore /
Writing Cons:
Examples:
Blackadder - The Queen of Spain's Beard by @Rowan Atkinson and @Richard Curtis
I will continue to interpret and integrate other comments - so please keep chatting / rambling / interlocuting / digressing / whatever
The Problem: Lizardmen / Seraphon come from culturally and geographically different origins to the other races, and if we don't mind getting technical, would have very different vocal apparatus to mammal based creatures. How can they communicate?
Analysis includes possible "logical" mechanisms, and pros and cons from a writing perspective. Cons may include the effort of explaining it and/or the amount of suspension of disbelief it will cost you if you don't.
Solution A: If you communicate using your spear alone, your average Warmblood will get the point. (Don't even bother trying to use a shared language)
Mechanisms: Cultural isolation / they are just animals anyway / If he is the enemy of my enemy, I don't need to ask questions / shooting fireballs or blowdarts at range is probably this /
Writing Pros: No explanation required / can make the antagonist alien and scary /
Writing Cons: antagonist's motivations can only be guessed at /
The Coward by @Killer Angel
The Ghosts We Have by @Oldblood Itzahuan
The Monument by @Pestdrake
Solution B: Make at least a bit of effort to use sign language or such.
Mechanisms: Universality of gestures (shaking weapon to challenge, pointing, submissive posture ) / intelligent beings improvising to communicate /
Writing Pros: requires show don't tell / can emphasise common ground between very different folk / can set up plot relevant miscommunications
Writing Cons: a saurian smile being interpreted by a human as a happy look. If a dog smiles at you it is about to take a chunk of flesh / difficult with complex ideas /
Examples:
The Coward by @Killer Angel - a rat head being interpreted as equivalent to a bunch of flowers by saurians
Cold Commerce (story 2) by @spawning of Bob
Cities of Gold (story 5) by @lordkingcrow
Solution B1: Lizardman Body Language being easy to interpret and vica versa
Mechanisms: a lashing tail, fluttering crest, open hands, submissively bared neck / that human smiled at me - it's a challenge!!!!!
Writing Pros: show don't tell / uses analogues known to most human readers / can set up plot relevant miscommunication
Writing Cons: The one interpreting might be assuming unbelievably much - ASS YOU MEet the High Priest of Sotek /
Solution C: Unmediated Telepathy
Mechanisms: It's a space frog. Deal with it / Usually involves a power gradient / may involve violation of the weaker party's mind / can happen without the receiver being aware /
Writing Pros: can set it up with less effort than it took me to write this sentence / establishes power gradient / can operate over infeasible distances (like across a battlefield or continent) / maintains foreignness
Writing Cons: unrealistic because all Slann speak in a Sean Connery voice all the time (thank you, @Bowser ) / Relies on convenient magic / makes lying tricky or impossible / heck why not just read the mind instead of having a chat for the reader's benefit? / if converting to speech may include concepts that the receiver may not have words for ("he implanted an image of Tzunki in my mind!") /
Examples:
Whispers in the Wind by @Nahualpiltzintli
Fool's Gold by @Trociu
Count Renliss' Journey to Lustria by @Scalenex (Slann and vampires)
Extermination by @Bowser
Solution D: Magic device / magic spell mediated telepathy
Mechanisms: It's an amulet. Deal with it /
Writing Pros: easy set up / can operate over a distance / maintains foreignness
Writing Cons: how is it eavesdropping proof? / lying is tricky / speech conversion issue as above /
Examples:
Dead Water by @Scalenex (shadow wizards use spells)
Divided We Fall by @Scalenex Slann transatlantic communication.
Solution E: Magic device / magic spell mediated intelligible vocal sounds
Mechanisms: It's a megaphone. A magic one. Deal with it /
Writing Pros: substitutes for normal voice / maintains foreignness /
Writing Cons: actually requires limited mindreading or google translate - why not just read that mind instead? or google the answer? /
The Orphaned Temple City by @Scalenex (daemons speak all languages for reasons)
New Alliances by @Scalenex (a "speaking stone" pendant)
The Harvest by @spawning of Bob (a vocal cord stimulating collar which makes no sense whatsoever)
Solution F: Use of written word / signs / diagrams / maps
Mechanisms: point to existing text, artwork, statues or friezes / create on demand with normal writing tools / improvise on demand (mud map) / a scholar is fluent in the written language of the counterpart species / flags or banners like running up the colours on a pirate ship / semaphore
Writing Pros: can get more spatial or contextual info than gesture / use of text can convey meaning even if the writer can't physically make the sounds of the language / can set up plot relevant misinterpretation of records or artwork /
Writing Cons: may require a stereotypical nerdy scholar with coke bottle glasses and a pasty complexion / open to misinterpretation /
Examples:
Paranoia by @Otzi'mandias
Solution G: Lizard / lizards make the effort to learn to speak a heavily accented warmblood tongue.
Mechanisms: significant trading or slaving relationship / every temple has a linguistic scholar skink / character specific cross cultural experience / a space frog pressed the language into my head. But no one told him Esperanto is dead. Stupid space frog /
Writing Pros: easy or plausible to set up / allows for plot-important or comedic miscommunication /
Writing Cons: may need a nerdy scholar / if every single lizard is a speaker, you need a different explanation / may be implausible depending on how isolationist your lizards are / may require excessssive use of "S"s to portray character voice / There are lot of languages to know and sub-dialects could not all be studied /
Examples:
In the Serpent's Eye by @Hyperborean
Pirates of the Dragon Isles by @Warden
Solution H: Warmblood speaks accented Lizard Tongue
Mechanisms: significant trading or slaving relationship / every temple has a linguistic scholar skink / character specific cross cultural experience / a space frog pressed the language into my head. Saluton kiel vi fartas bastardo rano. /
Writing Pros: I would get them to learn our language and make them pay for the lessons / easy or plausible to set up /
Writing Cons: implausible if your lizards just kill everyone instantly anyway / character voices of broken speech can come across as racist (this means you Jar Jar) or ignorant or unintelligent /
Examples:
The Fall of Turochitan by @Scalenex
Divided We Fall by @Scalenex (Vampire and Banshee)
The Beginning by @Fhanados
The Blood Dish by @spawning of Bob (I hated doing this to the Amaxon "primitives" because it seems like a hack stereotype of an indigenous culture, but doing anything else would have taken too many not plot advancey words.)
Solution I: There is a legitimate shared language known by most / all races
Mechanisms: Common language roots - we are the First, after all and can claim our gods invented the languages for the use of the races they created / languages change over time, but the WHFB world has many essentially immortal inhabitants who would preserve old languages / significant global trading, diplomatic or slaving contact / paradoxically, having many different local languages (see PNG and Orcs in Tolkien) / a "new" language being superior to the "old" (Greek being the language of scholars in the Roman Middle East Circa New Testament) /
Writing Pros: Character voices can be written with outrageous French accents for Bretonnian Kniggits / easy to write / everyone can understand each other and express themselves eloquently / can retain own local language for secret discussions (khazalid) /
Writing Cons: effort to establish vs implausible to have without explanation
Examples:
The Lord of the Rings by @JRR Tolkien
The Fourth Emperor by @spawning of Bob (notice who my story is beside???)
A Memory? by @Y'ttar Scaletail
Solution J: Everyone speaks the same language/s fluently
Mechanisms: just because. Deal with it / Similar to above /
Writing Pros: super convenient /
Writing Cons: potentially implausible for everyone except @Otzimandias (pre Great Catastrophe), but everything else he does is even more implausible, so I guess he has blown it anyway. /
Examples:
Completely Anonymous Entry (story 7) by @Scalenex (but that word they use, some people do not think it means what they think it means)
Origins by @Otzi'mandias
Anything by @Kcibrihp-Esurc
Solution K: Shared language but very different cultural based idiom.
Mechanisms: Different cultural or geographical or ecological backgrounds
Writing Pros: acknowledges different culture or history / scope for misunderstanding / comedic possibilities / dramatic misinterpretation likely / allows exploration of different culture
Writing Cons: tempting to be silly or just too confusing for human writers to follow
Examples:
Dead Water by @Scalenex (His canopy is bereft of leaves = he has a screw loose)
A Game of Scales by @theghostwriter (To kick the puppy = to cut the head off the snake)
Solution L: You speak your language, I understand it and visa versa.
Mechanisms: Different vocal apparatus make different sounds
Writing Pros: acknowledges different culture or physiology / scope for misunderstanding.
Writing Cons: works fine on screen / could be clunky to write gibberish or write your own language
Examples:
It works for Huttese speakers, Wookiees and Droids in Star Wars therefore it is totally legit.
Solution M: Use a third party translator
Mechanisms: Someone must have a trading / diplomatic / slaving relationship with the other race.
Writing Pros: very easy to plausibly set up / adds the spice of the interpreter posssibly having their own agenda / allows double miscommunication potential and lying for various motives / comedic possibilities galore /
Writing Cons:
Examples:
Blackadder - The Queen of Spain's Beard by @Rowan Atkinson and @Richard Curtis
I will continue to interpret and integrate other comments - so please keep chatting / rambling / interlocuting / digressing / whatever
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